One of my bad habits as a question master is that I will often ask a question about places that I have just visited. It’s a bad habit because it means that those people playing who know me well are able to play the man and not the ball and say – well, he’s just come back from (insert city name here) – so that’s probably the answer. Case in point, it was my quiz last night and I did ask a question about Helsinki, being as I spent a week there back in September.
It’s a good place. I’ve been fortunate enough to be able to
go abroad two or three times a year for the last decade. I take my sketchbook,
and if I’m sat in front of a landmark in one of the capital cities of Europe,
sketching away, then I’m really in my happy place. It isn’t just about
sketching though. It’s mostly capital cities that I’ve been to and if the city
has a tram system then I’m riding on it. Ditto metro/underground railways.
Another thing that I love to do is visit Natural History Museums.
It goes back to being a dinosaur-obsessed kid growing up in
West London in the early 70s, where one of the world’s great Natural History
Museums – THE Natural History Museum – was only 11 stops along the Piccadilly
Line. (It’s not so many stops now, because back in those days all the trains on
the Piccadilly stopped at all 4 stops between Acton Town and Hammersmith. They
don’t now.) But in the last ten years, if a city I’m visiting on a
sketchpedition has a Natural History Museum then I’m visiting it. I’ve been to
a lot and to be fair, they really have come in a variety of sizes and styles.
The smallest and probably the most disappointing was Tallinn in Estonia, which
was my first expedition of 2026. The collection seemed smaller than in many
general museums I’ve seen and seemed to concentrate on the natural present than
the natural history. On the other hand the American Museum of National History
in New York City was completely out of this world, and the Berlin Museum of
Natural History was highly impressive too. Helsinki’s sat somewhere between
those two poles. It made an. Impression on me for two reasons. Firstly, because
the exhibits seemed posed to highlight just how red Nature is in tooth and
claw- the school party visiting at the same time lapped up the gore. (Not
literally – that would be gross.) The other thing, though, was the skeleton of
a Steller’s Sea Cow on the ground floor.
The Steller’s sea cow was a large, ocean-going mammal,
related to the smaller dugong. Now, let me quote a few facts at you. From when
it was first noted by Europeans (the explorer Jacques Cartier) in 1534 it was 280
years before the North American Passenger pigeon became extinct. The Thylacine
– sometimes called the Tasmanian Tiger- was first noted by European settlers in
1772. The last one (probably) died in captivity in 1936 – 264 years later. The
dodo – poster boy for animals driven to extinction by thoughtless Europeans –
was first noted by Dutch explorers in 1598, and were all gone within about 70
years.
Having said all that, then, if I were to tell you that Georg
Willhelm Steller first described the eponymous sea cow in 1741, how long do you
think it was before the species were deemed to be probably extinct? Well, it
was a lightning quick 27 years. In the interests of fairness, I should probably
admit that the dodos were thriving when Europeans arrived on the scene, while
it’s believed that Steller’s Sea Cow was already a dead clade walking by 1741
when Steller first recorded it. If you’re not familiar with the term, well it
means basically a species that have not yet become extinct, but one where the
population consists of such a small number of individuals of limited genetic
diversity that extinction is virtually assured. Some scientists have estimated
that there weren’t more than 2000 individuals left by 1741. So their demise
can’t necessarily be blamed solely on the actions of Europeans, although it’s
probably fair to say that the willingness of seagoing fur traders in the Bering
Sea to hunt them and use them as an all-you-can-eat buffet in the 1750s and 60s
probably hastened their demise.
I love learning about stuff like this. I don’t think that
I’m the only one either. However, it’s one thing being fascinated by animals
whose extinction was (largely) caused by human activity. It’s totally another
thing aiming to ‘bring them back’ though. Back in the mid – late 80s I remember
watching a feature on a TV show that might have been QED (but I can’t be sure)
about the Quagga Project. The Quagga was, until recently, thought to be a
species of equine similar to a zebra but with the distinctive striped markings
only on its head, neck and parts of its legs. Human activity meant that the
once huge population declined until the last individual died in Amsterdam Zoo
in the 1870s. Research using mitochondrial DNA from tissues from museum
specimens showed that the quagga wasn’t just like a zebra, it actually was a
subspecies. This gave birth to the quagga project. In simple terms the Quagga
Project in South Africa aimed – in fact still aims – to selectively breed
individual Burchell’s zebras that have what are described as quagga -like
traits, to recreate a quagga. Except, of course, that it won’t be a quagga. It
may look like a quagga, it may walk like a quagga and it may sound like a
quagga, but it won’t actually be a quagga, because no quagga survived to pass
on its DNA . To be fair the project publicity has been quite open about this,
but still. So what they are doing is not a million miles away from what has
been done with thoroughbred racehorses in the past. Although a quagga-like
equine has yet to win the Grand National.
Then there’s the project to ‘clone’ a Woolly Mammoth. A few
years ago a company called Colossal Biosciences announced their ambition to
clone a woolly mammoth. Except, of course, they can’t. What they plan is to use
cloning and gene editing technology to create an elephant-mammoth hybrid. And
if you think that this sounds like pie in the sky, as I did, then consider that
last year Colossal Biosciences announced that they had used the technology to
create Woolly Mice – mice with essentially mammoth hair – through gene editing.
Now, there’s a world of difference between this and selective breeding to
reinforce genetic traits over a number of generations. And to be honest, I find
it rather unsettling. Yes, I do think that as human beings we have a lot to
answer for to our fellow creatures, and yes I do feel very sorry for those
creatures driven to extinction long before their time. But it seems to me that
the two approaches – the almost quagga and the ersatz mammoth aren’t actually
bringing anything back, they’re creating something different. I’m minded of
Jeff Goldblum’s character in the first Jurassic Park film saying that the
scientists were so caught up in the whether they could that they didn’t
stop to think about whether they should. And let me ask you this? How
much of a step is it from a mammoth-elephant hybrid, to a T-Rex, chicken
hybrid? You know what I’m talking about.
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